This is made difficult by the necessity to write in verse.
First, write a poem in the first person point of view. You must say ?I? did that, this, or the other thing, not ?He?. Show what you felt, said, saw, thought, wished, did, (saying ?I? did it). Make yourself sound entertaining to yourself as your first reader. Surprise yourself. Make yourself sound noble, or else unjustly put upon. And there you sound like a Protagonist. Remember, a poem is always telling a story. Thus, a character is part of the requirements.
You may also create yourself as a cross, petty, treacherous, cruel, corrupt character. To avoid authorial intrusion, you can switch the POV (point of view) to the third person. To flesh out a character fully, it is always proper to be omniscient in telling the story. An antagonist may have plans to thwart and obstruct another character in quest of love, glory, honor, or whatever that character logically desire and deserve. Writing it in other POV?s will make the protagonist appear bias. However, homely protagonists rarely work in poetry.
Do not forget the elements of poetry. Figures of speech are the basic elements. It?s a good idea, let?s say, to have somebody get in bed with someone else. Set your place in a parked car, broom closet, bathtub, something like that, though a bed will do better for romantic touch. To pull off an erotic touch in a poem, make sure you include the senses which make everything erotic and sensual. Bear witness to the scent and sound of the environment wherein the action happened, and do not forget the body language.
Change the point of view to the second person. This is to keep the reader from getting bored with what the omniscient speaker saw in a parked car. Use your imagination. You may say ?I? did that, this, or the other thing and prove it was not in a parked car. But let?s face it: if you?ve really had it in a parked car, you wouldn?t be wasting your time trying to figure out the scent of vehicle emission or the air vent. Or you wouldn?t be wasting your day trying to write a poem. Horace says that one should write the feelings after some moment of tranquility. So don?t write a poem after getting it on in a parked car.
When you have finished showing (not telling) what you did or wished you?d done that night, type ?first draft? neatly in the center of the page and take a glass of water. Now you will want to let someone else read what you?ve written. Most likely, however, your reader will say one of two things: ?I think you need a new printer,? or: ?Who was that you were with in that parked car??
Why don?t you just keep the draft and drink another glass of water, and revise it until you can say you have written a poem. No one will know, but who cares, Emily Dickinson got famous after her publishers discovered hundreds of poems in her room after her death.
Source: http://www.writingspeakingtips.com/literary-agent-creative-writing-tips/
